Creative studio — Toronto — 6+ years in multimedia design
Campaign film and stills. Human direction sets the idea, AI renders it, and every frame is perfected by hand with 6+ years of design.
See the work
Rendered by AI
Perfected by hand
6+ years of design behind it
The same brand in every frame
The gap
Six weeks of schedule before the first frame.
Beautiful work, but slow and costly: six weeks, a crew, a location and a reshoot budget before you see a frame.
What no rig looks like: two early Wurdy's generations. New cast, new light.
Fast, and sloppy. Warped type, bent hands, a look like everyone else's feed, and frame twelve has forgotten frame one.
The photo your competitor found first.
An afternoon of searching for a photo your competitor already licensed.
Two finished frames, one rig. Same woman, same seat, same light.
Both fixed. Human direction sets the idea, AI renders it fast, and every frame is perfected by hand. The speed of AI, the craft of a studio, the same brand in every frame.
AI brings the speed.
The craft stays human.
Recent work — Aston & Vance, Odynis.
Who does what
Not one prompt and done. The thinking before and the craft after are human, built on 6+ years of hands-on design, on site and in the studio, long before AI. In between, AI does the heavy lifting.
Who does the work
Who is in charge
Before AI · Human
In between · AI
After AI · Human
AI renders.
Everything else is human.
Selected work 03
Amstaff is client work. Wurdy's and SKÖG are brands the studio invented to stress-test the rig, held to the same standard. Every asset was finished by hand. Open any card for the full case.
The callNight, not daylight.
The callForest floor, not a studio sweep.
The callA ridge, not a gym.
The range
Campaign ads, film, concepts and vertical cuts. Every campaign keeps one cast and one light, whatever shape the frame is, and every frame was signed off by hand. Click any of them.
How it's made
AI is the fastest camera ever built. 6+ years of design decide where to point it, and when to say no. One campaign, start to finish:
It starts as a sketch. Rough frames first, until one idea is worth a whole campaign. Nothing renders before that.
Then the rig gets written: cast, product, set, light, grade, and the one rule the idea lives or dies by. Every frame after this is checked against it, not against memory.
Once the idea is locked, AI renders it inside the rig: the frame from the sketch in hours, not a six-week shoot. Every render is reviewed by hand. Most don't make the cut.
Then 6+ years of multimedia design takes over. In Photoshop, by hand: warped type rebuilt, bent shapes and hands corrected, every frame graded, typeset and recut for each format. Nothing ships until it's perfect.
Receipts
Left: the sketch. Right: what shipped. Human direction at the start, AI in the middle, a hand finish at the end.
Self-initiated concepts. Wurdy's and SKÖG are invented brands. HOKA is unofficial and not affiliated with HOKA.
Film index 07
Product films and motion studies. Click any row to watch.
Self-initiated concepts, plus client work for XForm. Not affiliated with HOKA.
Pricing
No proposal deck, and no call before you see a number.
What are you planning?
Ten frames, one rig
See the rig hold on your product before you commit to a full launch.
One launch, fully covered
Forty assets from one locked rig, so every placement in the launch reads as the same brand.
Every launch, same rig
For brands that ship every month and need every month to look like the same brand.
Everything the studio makes, for the record: campaign stills, product film, UGC-style cuts, motion studies, art direction.
Prices in USD. Every tier: a direct line to the creative director making the calls, and full commercial rights on final payment.
The studio · 43.65° N, 79.38° W
6+ years in multimedia design, most of it before generative AI existed. AI in the workflow since 2024.
At Sanvorra, AI didn't replace any of that. It gave it a superpower. The tools got faster; the standard didn't move. Direction, every call and the final polish stay human, and the person who directs your campaign is the person you talk to.
A traditional studio is built around a shoot: crews, locations, weeks of lead time. Sanvorra is built around a rig. Your campaign is directed by a human, rendered by AI inside the rig, and perfected by hand, so you get studio craft without the six-week wait.
Judgment and consistency. A prompt gives you one good frame. 6+ years of multimedia design and a locked rig give you forty that look like the same brand. Cast, light, lens and grade are decided before anything renders, and every frame is signed off by hand.
Some will, if they go looking. What they'll notice first is that it's consistent and on brand: every asset is finished by hand and checked against the rig before it leaves the studio.
First delivery lands 5 days after a confirmed Pilot brief, and 7 days after a Campaign brief: forty assets, three formats. On the monthly plan, each drop takes 7 days. Revision rounds come after first delivery. Bigger rollouts get a quote and a fixed schedule before they start.
You get full commercial rights to every asset on final payment, with no licensing fees and no ongoing dependency on the studio. Campaign and Monthly also include the layered source files.
Toronto, on Eastern Time. Sanvorra works with brands across the US and Canada, fully remote: the brief by email or a short call, delivery by link.
Media buying, PR, long-form copywriting and physical manufacturing. For anything outside the work shown here, you'll get a referral to people the studio trusts.
Self-initiated concept. Wurdy's is a brand the studio invented.
01 — Food & beverage
Make a tub of vanilla the only thing worth watching.
The constraint
The joke is one woman eating ice cream in a crowd that doesn't react. It only works if the crowd stays the same crowd — same faces, same seats, same light — in every frame and every format.
The decision
The daylight version got cut. It was prettier and nobody would remember it. At night the crowd goes flat and the green tub is the only colour left in the frame. That one choice is the campaign.— Creative direction
The campaign11 stills
Directions that didn't make itExplorations
Next campaign
SKÖG →Self-initiated concept. SKÖG is a brand the studio invented.
02 — Beauty
A Scandinavian serum that should look grown, not made.
The constraint
Amber glass, an oak cap and wet moss: three materials that fight each other under the wrong light, and a label small enough to vanish in a feed.
The decision
The bottle came off the studio sweep and onto the forest floor. The moss does the talking about botanicals, so the label never has to shout.— Creative direction
The campaign2 stills · 2 film frames
Next campaign
Amstaff →Client work, made for Amstaff.
03 — Fitness
Sell a weighted vest to people who already think they train hard.
The constraint
One 39-second film had to survive landscape, square and vertical cuts. A separate UGC cut had to feel handheld without looking cheap.
The decision
The hero goes on a mountain ridge, not in a gym. The vest reads as gear for a mission, and the horizon holds in every crop down to 9:16.— Creative direction
One film, three formats0:39 each
Next campaign
Wurdy's →
